<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss'><id>tag:blogger.com,1999:blog-22084425</id><updated>2009-11-11T17:38:42.756+08:00</updated><title type='text'>Rebyuhan</title><subtitle type='html'>Mga luma at bagong rebyu ng mga libro, album, pelikula, bidyo, eksibit, konsyerto, dula, palabas at kung anu-ano pang nangyayari sa sining at panitikan sa Maynila at iba pang sulok ng Pilipinas...</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>25</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-22084425.post-843850656634294166</id><published>2008-03-04T09:54:00.000+08:00</published><updated>2008-03-04T09:56:14.932+08:00</updated><title type='text'>Lipat-haybols</title><summary type='text'>Ang rebyuhan ay lumipat na sa http://rebyuhan.multiply.com/</summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/843850656634294166/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=843850656634294166&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/843850656634294166'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/843850656634294166'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2008/03/lipat-haybols.html' title='Lipat-haybols'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-3509568331754424115</id><published>2007-11-01T13:42:00.000+08:00</published><updated>2007-11-01T13:48:16.050+08:00</updated><title type='text'>Nakarating na ang Quiapo cinematheque sa kanayunan!</title><summary type='text'>   Nakarating na ang Quiapo cinematheque sa kanayunan!     INT. Bahay ni Bog. Gabi.     Walang takilya pero si Bog ang takilyero. Mga batang uhugin ang karamihan sa mga parukyano. Piso ang entrans sa sinehang walang pinilakang tabing. Ang 21” TV, “katas ng (export-processing) zone” ang siyang pokus ng atensyon. Nakahilera sa malamig na sementadong sahig ang mga manonood na lahat ay nakanganga. </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/3509568331754424115/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=3509568331754424115&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/3509568331754424115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/3509568331754424115'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2007/11/nakarating-na-ang-quiapo-cinematheque.html' title='Nakarating na ang Quiapo cinematheque sa kanayunan!'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_WmJLiKB7CwY/RyloZ40yCOI/AAAAAAAAABM/6AU5c-V2ueQ/s72-c/quiapo.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-4867968970395390417</id><published>2007-06-14T14:34:00.000+08:00</published><updated>2007-06-14T15:15:54.864+08:00</updated><title type='text'>Tatlong Pelikula: An Inconvenient Truth, Tulad ng Dati, at isang anonymous blackprop film</title><summary type='text'>Climate / ChangeNotes sa tatlong pelikula: An Inconvenient Truth ni Al Gore, Tulad ng Dati ni Mike Sandejas at isang pelikulang walang pamagat at credits na kumakalat sa Kamaynilaan, starring Bembol Roco, etc.Sa diwa ng pagba-blog, panay notes na lang muna ang ipo-post ng Rebyuhan. Kaysa naman sa hindi magpost ng kahit na ano, hindi ba?Matapos ang matagal-tagal na panahon ay nagkaroon tayong muli</summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/4867968970395390417/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=4867968970395390417&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/4867968970395390417'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/4867968970395390417'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2007/06/tatlong-pelikula-inconvenient-truth.html' title='Tatlong Pelikula: An Inconvenient Truth, Tulad ng Dati, at isang anonymous blackprop film'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_WmJLiKB7CwY/RnDk88ZmXWI/AAAAAAAAABE/KDyUlp0H0T4/s72-c/0606-inconvenient-truth.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-5481359963990907392</id><published>2007-06-03T15:29:00.000+08:00</published><updated>2007-06-03T15:38:17.412+08:00</updated><title type='text'>Rivermaya,  Isang Ugat, Isang Dugo  2006</title><summary type='text'>etNotes sa Rivermaya, Isang Ugat, Isang DugoSino’ng magkakaila na karamihan sa mga tugtog sa radyo ngayon ay narinig na natin noon sa ibang konteksto at panahon? Lingid lang marahil ito sa mga batang ipinanganak pa lang sa nakaraang sampung taon – hindi nila naabutan ang manila sound noong 70s, ang kasikatan ng Apo Hiking noong 80s, at pagsambulat ng “alternatibong musika” noong 90s. Hindi ba’t </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/5481359963990907392/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=5481359963990907392&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/5481359963990907392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/5481359963990907392'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2007/06/rivermaya-isang-ugat-isang-dugo-2006.html' title='Rivermaya,  Isang Ugat, Isang Dugo  2006'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_WmJLiKB7CwY/RmJvSQByDkI/AAAAAAAAAAU/_-iHotjAXlw/s72-c/images.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-7197815275310189614</id><published>2007-03-09T10:21:00.000+08:00</published><updated>2007-03-09T10:34:12.886+08:00</updated><title type='text'>Gawad Ka Amado: Antolohiya 1999-2005</title><summary type='text'>Gawad Ka Amado: Antolohiya 1999-2005Amado V. Hernandez Resource Center1997Ilang tala muna...Isang magandang balita ang paglalabas ng antolohiya ng mga nagwaging akda sa Gawad Ka Amado (GKA), ang taunang patimpalak pampanitikan ng Amado V. Hernandez Resource Center (AVHRC). Bilang isang institusyon layunin ng AVHRC ang isulong ang interes ng uring manggagawa -- nangunguna sa pagpapalaganap ng </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/7197815275310189614/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=7197815275310189614&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/7197815275310189614'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/7197815275310189614'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2007/03/gawad-ka-amado-antolohiya-1999-2005.html' title='Gawad Ka Amado: Antolohiya 1999-2005'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_WmJLiKB7CwY/RfDGIj2P6hI/AAAAAAAAAAM/hzZCAuNhm5U/s72-c/avhernandez.jpg' height='72' width='72'/><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-116192569506019069</id><published>2006-10-27T13:01:00.000+08:00</published><updated>2006-10-27T13:08:15.300+08:00</updated><title type='text'>Flipino, album ni Dong Abay, 2006</title><summary type='text'>Rebyu ng FLIPINOalbum ni dong abaySynergy Music 2006"Original o pirated?" Huling tanong ni Dong Abay sa kantang "bombardment." Kung ako ang tatanungin, ang sagot ay pirated. Ipinagtanong din ang album nang minsang mapadaan sa tiangge sa bangketa. Kapalit ng 25 pesos ay inabot ng tindera ang piniratang kopya ng album na flipino. Pagdating sa lugar na may kompyuter, ni-rip at ginawang mp3, isinalin</summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/116192569506019069/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=116192569506019069&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/116192569506019069'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/116192569506019069'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/10/flipino-album-ni-dong-abay-2006.html' title='Flipino, album ni Dong Abay, 2006'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-115690942041332592</id><published>2006-08-30T11:39:00.000+08:00</published><updated>2006-08-30T11:43:49.406+08:00</updated><title type='text'>Armando, biograpi ni Armando Teng, sinulat ni Jun Cruz Reyes</title><summary type='text'>Rebyu ng Armando ni Jun Cruz ReyesInilathala ng Amado V. Hernandez Resource Center (AVHRC)2006Ipinakikilala sa librong Armando si Armando Teng, kadre ng rebolusyonaryong kilusan – ang dating Manding ng kanyang kabataan na naging malapit sa mga kasama at masa bilang Ka Simeon at iba pang alyas o pangalan sa pakikibaka. Hindi man mamalayan o asahan ng awtor, (ang tanyag na kwentista at propesor na </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/115690942041332592/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=115690942041332592&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/115690942041332592'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/115690942041332592'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/08/armando-biograpi-ni-armando-teng.html' title='Armando, biograpi ni Armando Teng, sinulat ni Jun Cruz Reyes'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-114326942963665298</id><published>2006-03-25T14:39:00.000+08:00</published><updated>2006-03-25T14:50:29.840+08:00</updated><title type='text'>Mga Bidyo-Dokyu ng Gobyernong Arroyo-AFP, 2006</title><summary type='text'>Hindi ito rebyuHindi naman talaga irerebyu rito ang mga “dokyu” ni PGMA/AFP. Sino ba namang walang magawa ang kusang-loob at buong-sigasig na magtitiyagang panoorin at tapusin ang mga “dokyu” na’to? Tsaka sining ang nirerebyu sa blog na ito, hindi basura.Kaso lang, tatlong istasyon ng TV ang nagagamit ng gobyerno kaya maya’t maya na lang ay naipapalabas ang mga “dokyumentaryo” na ito. Kaya hindi </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/114326942963665298/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=114326942963665298&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114326942963665298'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114326942963665298'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/03/mga-bidyo-dokyu-ng-gobyernong-arroyo.html' title='Mga Bidyo-Dokyu ng Gobyernong Arroyo-AFP, 2006'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-114232173205950883</id><published>2006-03-14T15:24:00.000+08:00</published><updated>2006-03-14T15:35:32.343+08:00</updated><title type='text'>Emergencia Poemas: Break Glass in Case of National Emergency, literary zine ng SIGAO-UP, Marso 2006</title><summary type='text'>Isang iglapAng publikasyong iglap, gaya ng mga kapatid nitong dulang iglap at instant myural, ay pagpapatotoo sa papel ng sining sa mabilis na pagtugon sa maiinit na isyung panlipunan.Bilang tradisyunal na pugad ng mga aktibista at "Iskolar ng Bayan,” inaasahan din ang mabilis na pagtutol ng Unibersidad ng Pilipinas sa panunumbalik ng batas militar, sa anyo ng "national emergency” na idineklara </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/114232173205950883/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=114232173205950883&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114232173205950883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114232173205950883'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/03/emergencia-poemas-break-glass-in-case.html' title='Emergencia Poemas: Break Glass in Case of National Emergency, literary zine ng SIGAO-UP, Marso 2006'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-114071644518810864</id><published>2006-02-24T01:32:00.000+08:00</published><updated>2006-02-24T01:40:45.260+08:00</updated><title type='text'>Noon at Ngayon (aka Moral II), pelikula ni Marilou Diaz-Abaya, 2003</title><summary type='text'>Ganito Kami Noon, Heto na Kami NgayonNoon at Ngayonpelikula ni Marilou Diaz-AbayaStar Cinema 2003Sino pa kaya ang nakakaalala sa pelikulang Moral? Mga die-hard na tagapagtangkilik ng pelikulang Pilipino? Mga fans ni Ricky Lee?  Mga kulturating tambay na nag-aabang ng film festival? Mga estudyante ng sinema? Mga kritiko?Sino pa, bukod sa maliit na “kulto” ng mga napahanga at napamahal sa </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/114071644518810864/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=114071644518810864&amp;isPopup=true' title='6 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114071644518810864'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114071644518810864'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/noon-at-ngayon-aka-moral-ii-pelikula.html' title='Noon at Ngayon (aka Moral II), pelikula ni Marilou Diaz-Abaya, 2003'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-114002291621958734</id><published>2006-02-16T00:52:00.000+08:00</published><updated>2006-02-16T01:01:56.350+08:00</updated><title type='text'>Salinlahi at iba pang kwento, ni Ditan Dimase, 2006</title><summary type='text'>PatikimSalinlahi at iba pang kwentoni Ditan DimaseInilathala sa seryeng Anahaw ng Palimbagang Kuliglig, 2006Gaya ng ilang henerasyon ng mga batang manunulat, naging pangarap din ni Ditan Dimase na malathala ang kanyang mga kwento sa magasing Liwayway. Wika nga ng ilan – kapag nalathala ka na sa Liwayway, isa ka nang “tunay na manunulat.”Nakapaglathala man sa Liwayway, sa paglipas ng panahon ang </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/114002291621958734/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=114002291621958734&amp;isPopup=true' title='7 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114002291621958734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/114002291621958734'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/salinlahi-at-iba-pang-kwento-ni-ditan.html' title='Salinlahi at iba pang kwento, ni Ditan Dimase, 2006'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>7</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113933312428168048</id><published>2006-02-08T01:20:00.000+08:00</published><updated>2006-02-08T01:25:24.353+08:00</updated><title type='text'>Rosas ng Digma, album ng MusikangBayan, 2001</title><summary type='text'>Nahuling PagsusuriHindi maikakaila na ang awit ang anyo ng sining na pinakapopular at pinakamadaling ipopularisa sa masa.Ayon sa pagsasalarawan ng PAKSA ”Sa isang bansang mabulas ang tradisyon ng pagbigkas (pagkat ang karamiha’y di makasulat ni makabasa) ito (awit) ang pinakamabilis sa pagpapalaganap ng mga rebolusyonaryong adhikain. Ang awit ang una at nangungunang anyo (ng sining) sa </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113933312428168048/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113933312428168048&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933312428168048'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933312428168048'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/rosas-ng-digma-album-ng-musikangbayan.html' title='Rosas ng Digma, album ng MusikangBayan, 2001'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113933189716383832</id><published>2006-02-08T00:50:00.000+08:00</published><updated>2006-02-08T01:04:57.236+08:00</updated><title type='text'>Ultraelectromagneticjam, tribute album sa Eraserheads, 2006</title><summary type='text'>QUO VADIS, ERASERHEADS? HEHEHE!UltraelectromagneticjamTribute album sa EraserheadsBMG Pilipinas, 2006Siguro’y lumundag nang ilang tibok, at saka kumaripas ang kaba sa puso ni Marcus nang una niyang marinig ang pasakalye ng "Ligaya” mula sa sabog na ispiker ng sinasakyan niyang dyip. Ang taon ay 1993. Sikat na sikat noon si Bon Jovi.Tuwang-tuwa si Marcus. Bente uno anyos lang siya noon, at siya </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113933189716383832/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113933189716383832&amp;isPopup=true' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933189716383832'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933189716383832'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/ultraelectromagneticjam-tribute-album.html' title='Ultraelectromagneticjam, tribute album sa Eraserheads, 2006'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113933077178581742</id><published>2006-02-08T00:41:00.000+08:00</published><updated>2006-02-08T00:46:11.866+08:00</updated><title type='text'>24/7 Walang Panahon: The 2004-2005 Philippine Collegian Anthology</title><summary type='text'>Kung hindi ngayon, kailan?24/7 Walang Panahon: The 2004-2005 Philippine Collegian AnthologyAng bawat sandali ay panahon ng pagpapasya at “walang panahon para sa pananahimik.” Hindi kataka-takang mabasa ang pahayag na ito mula sa mga pahina ng Philippine Collegian, ang prestihiyoso-notoryus (?) na opisyal na pahayagan ng mga estudyante sa Unibersidad ng Pilipinas (UP) sa Diliman. Para sa patuloy </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113933077178581742/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113933077178581742&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933077178581742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933077178581742'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/247-walang-panahon-2004-2005.html' title='24/7 Walang Panahon: The 2004-2005 Philippine Collegian Anthology'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113933039455790898</id><published>2006-02-08T00:35:00.000+08:00</published><updated>2006-03-25T14:38:52.973+08:00</updated><title type='text'>Lonely Table, eksibit ni Nunelucio Alvarado, 2005</title><summary type='text'>PANGLAW AT KRISISLonely TableEksibit ng mga peynting at drowing ni Nunelucio AlvaradoPenguin Café, MalateAbril 15 – Mayo 15, 2005Masisidhing iskema ng kulay. Solido’t maririing balangkas. Kakatwang mga anggulo. Abstrakto’t simbolikal na mga pigura ng tao na sukat nagiging totoo sa bisa ng panlipunang paksain at paninindigan ng mga ito. Klasikong Nunelucio Alvarado.Sa “Lonely Table,” ang </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113933039455790898/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113933039455790898&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933039455790898'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933039455790898'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/lonely-table-eksibit-ni-nunelucio.html' title='Lonely Table, eksibit ni Nunelucio Alvarado, 2005'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113933002942887515</id><published>2006-02-08T00:29:00.000+08:00</published><updated>2006-02-08T00:33:49.506+08:00</updated><title type='text'>Azucarera, mga tula ni Gelacio Guillermo, 2005</title><summary type='text'>Pagbabalik sa AzucareraLaganap ang bulung-bulunganTungkol sa diskontento ng mga manggagawa.Kung anuman ang balak nilang gawinAy hindi pa alam, pero sila’y di matahimik.- mula sa tulang “Laganap ang bulung-bulungan” ni Gelacio GuillermoHindi pa sapat ang lingguhang pagtataas ng presyo ng langis at nakaambang VAT. Kamakailan ay nagtaas naman ang presyo ng bigas. Gayundin, dalawang piso ang itinaas </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113933002942887515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113933002942887515&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933002942887515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113933002942887515'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/azucarera-mga-tula-ni-gelacio.html' title='Azucarera, mga tula ni Gelacio Guillermo, 2005'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113932485235823840</id><published>2006-02-07T23:01:00.000+08:00</published><updated>2006-02-07T23:07:32.423+08:00</updated><title type='text'>La Visa Loca, pelikula ni Mark Meily, 2005</title><summary type='text'>Makabuluhang TuwaLa Visa LocaTampok sina Robin Padilla, Johnny Delgado, Rufa Mae QuintoSa direksyon ni Mark Meily, para sa Unitel PicturesKahit pagtakas sa problema ay problema na rin.Sa panahon ngayon, pirming napipilitan ang badyet sa piniratang pelikula kaysa sa tiket sa takilya. Kapag tinatamaan ng awa para naghihingalong industriya ng pelikulang Pilipino, pinipilit nating magpunta sa sinehan</summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113932485235823840/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113932485235823840&amp;isPopup=true' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932485235823840'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932485235823840'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/la-visa-loca-pelikula-ni-mark-meily.html' title='La Visa Loca, pelikula ni Mark Meily, 2005'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113932443844776027</id><published>2006-02-07T22:53:00.000+08:00</published><updated>2006-02-08T00:14:23.686+08:00</updated><title type='text'>Kwarenta: Mga Tulang Alay sa mga Martir na Kabataan, tinipon ng KM64, 2004</title><summary type='text'>Bagong BuhayKwarenta: Mga Tulang Alay sa mga Martir na KabataanKoleksyong tinipon ng Kilometer64 (http://www.yahoogroups.com/kilometer64)“Tanging sa ating pagkilos sila mananatiling buhay,” pangwakas ni Gelacio Guillermo sa koleksyong Kwarenta ng Kilometer 64, at ang wakas na ito ay nagbabadya ng isang masiglang panimula. Ang koleksyon ay tila agunyas para sa mga aktibistang nangamatay ngunit ang</summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113932443844776027/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113932443844776027&amp;isPopup=true' title='21 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932443844776027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932443844776027'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/kwarenta-mga-tulang-alay-sa-mga-martir.html' title='Kwarenta: Mga Tulang Alay sa mga Martir na Kabataan, tinipon ng KM64, 2004'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>21</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113932396577095654</id><published>2006-02-07T22:40:00.000+08:00</published><updated>2006-02-07T23:56:08.490+08:00</updated><title type='text'>Please Fasten Your Seatbelts, KM64 chapbook, 2004</title><summary type='text'>Kapit LangPlease Fasten Your SeatbeltsIkalimang koleksyon ng mga tula ng Kilometer64(http://groups.yahoo.com/group/kilometer64/)Sadyang pagbabyahe ang tema ng mga koleksyon ng Kilometer64 (KM64), isang grupo, o tawagin na nating kulumpunan ng mga kabataang makata na naglalakbay, tumatambay, at nagkatagpu-tagpo sa isang sulok sa malawak na cyberspace.Ayon sa mensahe sa kanilang webpage: “Dito sa </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113932396577095654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113932396577095654&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932396577095654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932396577095654'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/please-fasten-your-seatbelts-km64.html' title='Please Fasten Your Seatbelts, KM64 chapbook, 2004'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113932322317415359</id><published>2006-02-07T22:29:00.000+08:00</published><updated>2006-02-07T22:40:23.266+08:00</updated><title type='text'>Live Show, pelikula ni Jose Javier Reyes, 2001</title><summary type='text'>ISA PANG TAKE SA LIVE SHOWLive ShowPelikula ni Joey ReyesDi naipalabas noong 2001dahil sa ban ni Gloria Macapagal-ArroyoMay itatanong pa ba kayo tungkol sa buhay ng isang torero? Marami pa siguro. Salamat sa ban ng bagong pangulo ng Pilipinas, napanood ko ang pelikulang  Live Show sa isang gasgas at piniratang kopyang VHS.Nang i- ban ang pelikula, maraming direktor, artista, at manggagawa sa </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113932322317415359/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113932322317415359&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932322317415359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932322317415359'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/live-show-pelikula-ni-jose-javier.html' title='Live Show, pelikula ni Jose Javier Reyes, 2001'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113932247581147932</id><published>2006-02-07T22:21:00.000+08:00</published><updated>2006-02-07T22:27:55.883+08:00</updated><title type='text'>Cool Pieties, exhibit curated by Roberto Chabet, 2001</title><summary type='text'>COOL PITIESCool Pieties30 Young Artists at the SM Megamall Art CenterCurated by Roberto ChabetAugust 25 - September 8, 2001Till September 8 at the SM Megamall Art Center: large-scale hyperrealist paintings, found objects, scenes shot from a pinhole camera, videos, and close-up pictures of the female genitalia. The GND tibak may be attracted to a muralsize work depicting a pair of proletarians </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113932247581147932/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113932247581147932&amp;isPopup=true' title='80 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932247581147932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932247581147932'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/cool-pieties-exhibit-curated-by.html' title='Cool Pieties, exhibit curated by Roberto Chabet, 2001'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>80</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113932146123698809</id><published>2006-02-07T21:58:00.000+08:00</published><updated>2006-02-07T22:11:01.310+08:00</updated><title type='text'>Radyo, pelikula ni Yam Laranas, 2001</title><summary type='text'>Radyopelikula ni Yam Laranas, 2001Viva FilmsPagkatapos mong mapanood ang Radyo, parang gusto mo na ring gumawa ng pelikula. Ibinobrodkas nito ang nakakainggit na paglalaro ng mga biswal, masinsin na iskrip, at mahusay na pagganap ng mga aktor. Patok ang katatawanan, dapat asahan ang hindi inaasahan, at hindi nakaligtas sa satirikong estilo ng pelikula ang pagpuntirya sa dapat nitong patamaan.Sa </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113932146123698809/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113932146123698809&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932146123698809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113932146123698809'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/radyo-pelikula-ni-yam-laranas-2001.html' title='Radyo, pelikula ni Yam Laranas, 2001'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113931978040524774</id><published>2006-02-07T21:26:00.000+08:00</published><updated>2006-02-07T21:48:31.753+08:00</updated><title type='text'>Still Lives, pelikula ni Jon Red; Motel, pelikula nina Ed Lejano, Chuck Escasa at Nonoy Dadivas, 1999</title><summary type='text'>Pelikula at LipunanStill Lives ni Jon Redat Motel nina Ed Lejano, Chuck Escasa at Nonoy DadivasMga pelikulang digital, 1999Kasama kong nanood ng bagong short film ang kaibigang Film major. Paglabas namin sa sinehan, magkahalo ang reaksyon namin sa panghihikayat ng isang kaibigang kartunista:“’Gawa rin kayo ng pelikula!” Sabi niya.Madali na nga naman ‘yan ngayon, kaya optimistiko. Kasi naman, </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113931978040524774/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113931978040524774&amp;isPopup=true' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113931978040524774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113931978040524774'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/still-lives-pelikula-ni-jon-red-motel.html' title='Still Lives, pelikula ni Jon Red; Motel, pelikula nina Ed Lejano, Chuck Escasa at Nonoy Dadivas, 1999'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113931845784273639</id><published>2006-02-07T21:10:00.000+08:00</published><updated>2006-02-07T21:23:54.193+08:00</updated><title type='text'>Muog: Ang Naratibo ng Kanayunan sa Matagalang Digmang Bayan sa Pilipinas, 1998</title><summary type='text'>MUOG NA BAKALMuog: Ang Naratibo ng Kanayunan sa Matagalang Digmang Bayan sa Pilipinas, inihanda ng Instityut sa Panitikan at Sining ng Sambayanan (IPASA) Gelacio Guillermo, editor Mahirap sukatin ang lawak at tatag ng Muog. Ito marahil ang unang pagtatangka na ilapat sa isang kalipunan ang lawak at tatag ng isa pang di-masukat na entidad - ang rebolusyon, o ang matagalang digmang bayan sa </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113931845784273639/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113931845784273639&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113931845784273639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113931845784273639'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/muog-ang-naratibo-ng-kanayunan-sa.html' title='Muog: Ang Naratibo ng Kanayunan sa Matagalang Digmang Bayan sa Pilipinas, 1998'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-22084425.post-113931746142114268</id><published>2006-02-07T20:57:00.000+08:00</published><updated>2006-02-07T21:06:54.090+08:00</updated><title type='text'>Jose Rizal, pelikula ni Marilou Diaz-Abaya 1998</title><summary type='text'>MonumentoJose RizalDireksyon ni Marilou Diaz-AbayaGMA FilmsNakatanghal siya sa kung ilang monumento sa buong kapuluan. Tampok na kurso ang kanyang buhay mula sa kasaysayang pang-elementarya hanggang sa PI 100 sa kolehiyo. Nakatatak ang kanyang pangalan sa napakaraming lansangan. Nakaukit ang kanyang mukha sa ating piso.Hindi nakapagtatakang isa na namang monumento ang itinayo para sa ating </summary><link rel='replies' type='application/atom+xml' href='http://rebyuhan.blogspot.com/feeds/113931746142114268/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='https://www.blogger.com/comment.g?blogID=22084425&amp;postID=113931746142114268&amp;isPopup=true' title='21 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113931746142114268'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/22084425/posts/default/113931746142114268'/><link rel='alternate' type='text/html' href='http://rebyuhan.blogspot.com/2006/02/jose-rizal-pelikula-ni-marilou-diaz.html' title='Jose Rizal, pelikula ni Marilou Diaz-Abaya 1998'/><author><name>rebyuwer</name><uri>http://www.blogger.com/profile/11411473531387608500</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12464705532128194957'/></author><thr:total xmlns:thr='http://purl.org/syndication/thread/1.0'>21</thr:total></entry></feed>